I began this blog several years ago in order to share my
meditations on the places where I have spent most of my life: the Midwest, where I grew up; the Northeast,
where I was a chaplain at Dartmouth College; northern California, where I did
my Ph.D. at Berkeley; and Washington, DC, about which I wrote a doctoral
dissertation and where I have taught and lived, off and on, for the past dozen
years or so. During many of those years,
I have also spent considerable time living in northern California; visiting the
northeast, especially Cambridge; and the Chicago area, including the University
of Notre Dame, where my Dad graduated in 1935 and where I was a visiting
scholar in the summer of 1997.
I continue to write about these places because I love
them. There is something about each that
continues to draw me. I spent time at
college in Iowa and graduated from seminary in New York City, but I was quite miserable at both places and I have not been
back. I also lived for a year during my
college years in Canterbury, England and Tubingen, Germany. Perhaps I will write
about them some day.
I began to add my occasional sermons to this blog, not
because they deal explicitly with a sense of place, but because I had no other
place to put them. Sermons do, of course,
take place in a particular place, namely the church of Such and Such in
Somewhere, USA. And sermons generally
attempt to relate something written in a far away place, namely the
Mediterranean basin, a long time ago, to some place today, in this case, a
church in the Washington, DC area or northern California.
Now I am reviving the blog to supplement the web page that
promotes my tours of Washington. If you arrived here from there and want to read the posts that deal with Washington, DC, go back to the beginning. If you
enjoy reading what I write about Washington, consider joining me for a walking
tour. Starting some time in May.
Meanwhile, I have spent the winter and now early spring in
St. Helena and Santa Rosa, California; Napa and Sonoma counties
respectively. I have grown to love these
places. What’s not to love? The climate, landscape, food and wine are
among the best in the world. If one
tires of so much pleasantness, so many good sights, sounds and tastes, the city
of San Francisco and East Bay cities are about an hour away to provide yet
more.
I drove down to Berkeley on Saturday morning, March 15, one
of those warm spring mornings when the miracle of life induces gratitude even
in the most snarky and philosophy in the most obtuse.
In a normal winter, the rains begin here in November and
continue until May. The rains can come
in drenching three-day storms and periods when the skies cloud up for days and
it rains off and on. But many a winter
is far from normal. I remember one when
it rained for the entire month of January, then stopped. One year it rained almost constantly for
sixty days. Another year it did not rain
until mid-March. Spring that year was
painful to watch as the plants put forth their shoots above a dusty brown
earth. This year promised to be like
that. The vineyards were a brown desert
until mid-February. But we have now had
two major storms and a minor one, yielding anywhere from ten to twenty inches
of rain.
This past week a warm sun came out and the biosphere burst into
bloom: yellow mustard topping a carpet of green; wildflowers, flowering trees,
buds and shoots of a thousand shades of green.
The landscape all the way down Highway 101 this St. Patrick’s Day
Weekend was as green as any part of the Emerald Isle itself. Arriving early at my destination, I walked
around the neighborhood north of the university and west of Shattuck Avenue to
gaze rapturously at varieties and colors of flowers beyond my ability to name
and smell the hedges of fragrant rosemary in purple blossom.
After appreciating various shingle-style and craftsman
houses, I found myself, as I often do, in front of the small apartment building
that replaced the old house that Allen Ginsberg lived in and Jack Kerouac often
visited in the 1950s. There is another
small apartment building next door and next to that a house surrounded by a
chain-link fence, being prepared either for demolition or radical
reconstruction. Across the street, on
the grounds of the Berkeley Arts Magnet School, the poetry garden dedicated to
Ginsberg and the other beat poets is likewise under reconstruction. I wonder what the neighborhood arts committee
has in mind. The sign is still there:
“This garden honors Berkeley’s many innovative poets, poetry
presses and their legacy. It was
dedicated in 1999 on the second anniversary of “Beat” poet Allen Ginsberg’s
death. Through their writings, the
nonconformist poets sought liberation from traditional social, political,
artistic and personal conventions.
Ginsberg lived across the street in a now-demolished house at 1624
Milvia Street while writing, among other poems, parts of his once-banned work Howl!.
Poet Gary Snyder also stayed there.
“Beat Generation” writer Jack Kerouac lived for a while in a
rose-covered cottage on Berkeley Way and poet Robert Duncan also lived in this
neighborhood during the 1950s.”
Then I walked past yet more radiant living glory to 1924
Cedar Street, where I entered a small Unitarian church to enjoy that day’s
6-hour SoulMotion workshop.
Early anthropologists, geographers and travel writers, in
conveying a sense of place, did their best to convey everything that people
did, especially as it differed dramatically from the people who would read
their work back in Europe. They noted
the interaction of people and place. How
do people relate to their place, make it theirs, part of their identity? What stories do they tell, what music do they
play, how do they move to music? How has
this environment affected the way they move, the way they work, the food they
eat and how they prepare it?
I wonder what anthropologists years in the future will make
of the “conscious dance” movement that now flourishes in North America, Europe
and, I would guess, everywhere else.
I walk in to wooden-floored space to find about fifty people
moving to music. For the better part of
six hours, that is all we do. We pause
briefly for lunch. Occasionally the
leader, in this case Valerie Chafograck, now of the Bay Area but born in Paris,
gives us something to do: move with a
partner, move with a group of three or four; do a solo. You can call this dance, but it is far from
the world of waltzes and tango. There
are no specific steps, no set figures.
My first experience of this world of movement was a
“Barefoot Boogie” in Cambridge some thirty years ago. Since then a couple of teachers have
attracted quite a following. I now spend
every Christmas at Esalen in a SoulMotion workshop: six hours of dance every day for seven
days. After a couple of days of
spinning, swaying, twisting, tilting, and turning accompanied by good food and
soaks in the famous mineral baths, the muscles become like rubber bands and a big,
irrepressible smile forms on the face.
Perhaps some ancient peoples lived rather like this, not immersed in
books, computers and television screens, but moving to music for hours a day, while
planting, reaping and hunting as needed.
I’d like to think so.
1 comment:
Interesting to get your reflections of all those places and of California. When can observe beautiful things like the changes of weather in California landscapes and you can spend your time doing fun things like conscious dance, how possibly can getting back to the zoo that is Washington sound good?
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